Optical Impersonality: Science, Images, and Literary Modernism

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Walter focuses in particular on the ways in which modernist writers such as H. Lawrence, and T.

Eliot adapted modern optics and visual culture to develop an alternative to the self or person as a model of the human subject. Walter argues that scholars have misunderstood aesthetic impersonality as an evacuation of the person when it is instead an interrogation of what exactly goes into a personality.

She shows that modernist impersonality embraced the embodied and incoherent notion of the human subject that resulted from contemporary physiological science and traces the legacy of that impersonality in current affect theory.

Modernist Literature Notes

Optical Impersonality will appeal to scholars and advanced students of modernist literature and visual culture and to those interested in the intersections of art, literature, science, and technology. Subscribe Now.

Table of Contents. Author Bio. Optical Impersonality.


  1. On Collective Memory!
  2. Robert Volpicelli - Google Scholar Citations.
  3. And The Deep Blue Sea.

Science, Images, and Literary Modernism. Articles from Vol. Read preview Overview.

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Collectivism and Thatcher's "Classless" Society in British Fiction and Film There was a square of cardboard in the window where the glass had been smashed. During the night one corner had worked loose and scraped against the frame whenever the wind blew" Barker [] , 9.

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Like many other novels of the early s, Pat Oxford University Press, Dogdom: Nonhuman Others and the Othered Self in Kafka, Beckett, and Auster Anthropocentricism, in some sense, is logically unavoidable," the philosopher David Wood writes: "Any account we come up with of 'our' relation to 'animals' will be from 'our' point of view" , Descriptions and depictions of nonhuman animals, Contrary to the accepted critical view that

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